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Floral Pendant Light
by
David Trubridge
Select a Floral Pendant
400 - Red: $550
400 - Salmon: $490
400 - Orange: $550
400 - Yellow: $550
400 - Lime: $550
400 - Aqua: $550
400 - White: $550
400 - White Two Sides: $655
400 - Caramel: $410
400 - Natural: $410
400 - Black Two Sides: $655
600 - Red: $840
600 - Salmon: $750
600 - Orange: $840
600 - Yellow: $840
600 - Lime: $840
600 - Aqua: $840
600 - White: $840
600 - White Two Sides: $970
600 - Caramel: $705
600 - Natural: $705
600 - Black Two Sides: $970
600 - Aluminum: $1,640
800 - Red: $1,200
800 - Salmon: $1,070
800 - Orange: $1,200
800 - Yellow: $1,200
800 - Lime: $1,200
800 - Aqua: $1,200
800 - White: $1,200
800 - White Two Sides: $1,390
800 - Caramel: $980
800 - Natural: $980
800 - Black Two Sides: $1,390
800 - Aluminum: $2,180
1000 - Red: $1,660
1000 - Salmon: $1,610
1000 - Orange: $1,660
1000 - Yellow: $1,660
1000 - Lime: $1,660
1000 - Aqua: $1,660
1000 - White: $1,660
1000 - White Two Sides: $1,955
1000 - Caramel: $1,400
1000 - Natural: $1,400
1000 - Black Two Sides: $1,955
1000 - Aluminum: $2,680
1200 - Red: $3,665
1200 - Salmon: $3,550
1200 - Orange: $3,665
1200 - Yellow: $3,665
1200 - Lime: $3,665
1200 - Aqua: $3,665
1200 - White: $3,665
1200 - White Two Sides: $3,845
1200 - Caramel: $2,965
1200 - Natural: $3,025
1200 - Black Two Sides: $3,845
1200 - Aluminum: $4,780
1600 - Red: $9,580
1600 - Salmon: $7,680
1600 - Orange: $9,580
1600 - Yellow: $9,580
1600 - Lime: $9,580
1600 - Aqua: $9,580
1600 - White: $9,580
1600 - White Two Sides: $410
1600 - Caramel: $8,055
1600 - Natural: $8,055
1600 - Black Two Sides: $410
$410 - $9,580
+ Cart
DESCRIPTION

"I photographed this beautiful flower on the Bibulman track in Western Australia," says David Trubridge of this spin on his ball-shaped lamps based on the geometric polyhedron structure. A love for earth drove the construction, flatpacked to reduce freight and packing resources. Identical pieces make home assembly a snap. The celebrated designing craftsman ended up in his adopted home of New Zealand after he, his wife and their two sons sold everything and set off on a yacht for a world adventure. It culminated in 1985 when they decided to remain there. While an artist-in-residence at Hawkes Bay Polytechnic (now EIT), he built a house and suddenly found himself with further commissions. Before realizing homes, lamps and furniture, David left Newcastle University in 1972 with a degree in Naval architecture. His work has appeared in countless museums, including the Victoria & Albert and the Pompidou Centre. That barely scratches the surface of his fascinating story and work ethos.

SPECIFICATIONS
SIZE
  • 400: 15.5" dia (40cm)
  • 600: 23.5" dia (60cm)
  • 800: 31.5" dia (80cm)
  • 1000: 39.5" dia (100cm)
  • 1200: 47.25" dia (120cm)
  • 1600: 63" dia (160cm)
DETAILS
  • 400, 600 and 800 Cord: 6.5' l (200cm)
  • 1000 Cord: 9.75' l (300cm)
  • 1200 and 1600 Cord: 16.5' l (500cm)
MATERIAL
  • Bamboo or aluminum
PACKAGING
  • Branded box
SHIPPING INFO
  • Please contact us for current availability and lead times, as well as pricing for custom colors
TECHNICAL INFO
  • Packaged as kits, assembly required.
  • Lights include standard E26 UL listed fitting. Outdoor fittings are available on request.
ABOUT THE DESIGNER: DAVID TRUBRIDGE

DAVID TRUBRIDGE

“I design to communicate, to tell a story,” says the designer David Trubridge, “to relate what I find in the mountains and wilderness and what it is to be human.” Originally trained in boat design, David taught himself how to make furniture and his early work was widely heralded in his native UK. Turning a page in the early 1980s, he and his young family sold everything they had and set sail on their yacht “Hornpipe” around the Caribbean and the Pacific, while he built houses for clients living on nearby islands.

Arriving in New Zealand a few years later, David began to create furnishings inspired by his time at sea and eventually expanded to include his distinctive lighting, becoming an influential presence in the design world. An environmental sensibility governs his operation there, including recycling factory and studio waste, exclusive use of hydro electricity and eco-supportive shipping and freighting. As David puts it, “If design is not actively trying to preserve our future it is, by default, destroying it."