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Wingback Ottoman
Tom Dixon
Select a Wingback
Upholstery Group A + Natural Legs: $1,050
Upholstery Group A + Black Legs: $1,050
Upholstery Group A + Copper Legs: $1,300
Upholstery Group B + Natural Legs: $1,150
Upholstery Group B + Black Legs: $1,150
Upholstery Group B + Copper Legs: $1,350
Upholstery Group C + Natural Legs: $1,250
Upholstery Group C + Black Legs: $1,250
Upholstery Group C + Copper Legs: $1,500
Upholstery Group D + Natural Legs: $2,220
Upholstery Group D + Black Legs: $2,220
Upholstery Group D + Copper Legs: $2,400
$1,050 - $2,400
+ Cart

What's more apropos for his Wingback Chair than a matching footrest? British designer Tom Dixon is true to form with Wingback Ottoman, created to accompany his seating which is, in turn, a take on the classic British chair. In the same range of colors and Kvadrat fabrics, with legs in solid natural or black oak and copper-plated steel. Why not go for the matched pair?

  • 18" h x 22" w (45.5x55cm)
  • Upholstery Group A: Hero
  • Upholstery Group B: Divina 3, Divina Melange 2, Steelcut 2, Steelcut Trio 2, Tonus 4
  • Upholstery Group C: Hallingdal 65, Divina MD, Melange Nap, Tonica 2, Gentle
  • Upholstery Group D: Elmo Soft Leather, Elmo Nubuck Leather
  • Contact us for more information on available upholstery options
  • Steel, foam, upholstery, wood
  • Branded box


“If there are rules to design, I don’t know what they are,” says self-taught British designer Tom Dixon. “I just have ideas and I want to see what happens if I put them out there.” Tom’s errant first stab at creativity was playing bass in a 1980s disco group. Then a stint honing his welding skills in a auto body repair shop eventually led to his design breakthrough for Cappellini with the iconic S Chair. With products in more than 60 countries today, his contemporary lighting, furniture, tabletop and barware ranges and accessories have been “put out there” to wide acclaim.

Based in Portobello, London, the Tom Dixon brand launches new collections of lighting and furniture biannually in Milan and London. “What’s interesting about the modern world [is that] you don’t need to attract large amounts of people globally to be a successful designer,” Tom says. “You can be quite focused and do specific work and people will come to you if they’re attracted to it.”