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Wingback Long Ottoman
Tom Dixon
Select a Wingback
Upholstery Group A + Natural Legs: $1,600
Upholstery Group B + Natural Legs: $1,700
Upholstery Group C + Natural Legs: $1,800
Upholstery Group A + Black Legs: $1,600
Upholstery Group B + Black Legs: $1,700
Upholstery Group C + Black Legs: $1,800
Upholstery Group A + Copper Legs: $1,800
Upholstery Group B + Copper Legs: $1,900
Upholstery Group C + Copper Legs: $2,000
Upholstery Group A + Chrome Legs: $1,800
Upholstery Group B + Chrome Legs: $1,900
Upholstery Group C + Chrome Legs: $2,000
Upholstery Group A + Brass Legs: $1,800
Upholstery Group B + Brass Legs: $1,900
Upholstery Group C + Brass Legs: $2,000
$1,600 - $2,000
+ Cart

Tom Dixon's particular genius is evident in his Wingback Long Ottoman. After all, why doesn't his sofa in the same furnishing series deserve its own supersize footrest? This upholstered accompaniment comes in the same range of elevated Kvadrat textiles as the seating, with a choice of wood or metal-clad legs to match.

  • 18" h x 43" w x 22" d (46x110x55cm)
  • Upholstery Group A: Hero
  • Upholstery Group B: Divina 3, Divina Melange 2, Steelcut 2, Steelcut Trio 2, Tonus 4
  • Upholstery Group C: Hallingdal 65, Divina MD, Melange Nap, Tonica 2, Gentle
  • Contact us for more information on available upholstery options
  • Steel, foam, upholstery, wood
  • Branded box


“If there are rules to design, I don’t know what they are,” says self-taught British designer Tom Dixon. “I just have ideas and I want to see what happens if I put them out there.” Tom’s errant first stab at creativity was playing bass in a 1980s disco group. Then a stint honing his welding skills in a auto body repair shop eventually led to his design breakthrough for Cappellini with the iconic S Chair. With products in more than 60 countries today, his contemporary lighting, furniture, tabletop and barware ranges and accessories have been “put out there” to wide acclaim.

Based in Portobello, London, the Tom Dixon brand launches new collections of lighting and furniture biannually in Milan and London. “What’s interesting about the modern world [is that] you don’t need to attract large amounts of people globally to be a successful designer,” Tom says. “You can be quite focused and do specific work and people will come to you if they’re attracted to it.”