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Wingback Sofa
by
Tom Dixon
Select a Wingback
Upholstery Group A + Natural Legs: $8,300
Upholstery Group B + Natural Legs: $8,750
Upholstery Group C + Natural Legs: $9,200
Upholstery Group A + Black Legs: $8,300
Upholstery Group B + Black Legs: $8,750
Upholstery Group C + Black Legs: $9,200
Upholstery Group A + Copper Legs: $8,700
Upholstery Group B + Copper Legs: $9,150
Upholstery Group C + Copper Legs: $9,600
$8,300 - $9,600
+ Cart
DESCRIPTION

Modern master Tom Dixon remixes design codes with Wingback Sofa, a 2-seater inspired by the iconic 17th-century chair. His version ups the ante with a gewgaw-free silhouette and a more robust cantilevered pitch. Molded shell in firm polyurethane foam with additional lumbar supports for comfort; upholstery in a selection of Kvadrat fabrics with exposed legs in either oak or copper-plated steel for eye-appeal.

SPECIFICATIONS
SIZE
  • 50" h x 66" w x 41" d (128x167.5x104cm)
  • Seat height: 18.25" (46.5cm)
DETAILS
  • Upholstery Group A: Hero
  • Upholstery Group B: Divina 3, Divina Melange 2, Steelcut 2, Steelcut Trio 2, Tonus 4
  • Upholstery Group C: Hallingdal 65, Divina MD, Melange Nap, Tonica 2, Gentle
  • Contact us for more information on available upholstery options
MATERIAL
  • Steel, foam, upholstery, wood
PACKAGING
  • Branded box
SHIPPING INFO
ABOUT THE BRAND: TOM DIXON

TOM DIXON

“If there are rules to design, I don’t know what they are,” says self-taught British designer Tom Dixon. “I just have ideas and I want to see what happens if I put them out there.” Tom’s errant first stab at creativity was playing bass in a 1980s disco group. Then a stint honing his welding skills in a auto body repair shop eventually led to his design breakthrough for Cappellini with the iconic S Chair. With products in more than 60 countries today, his contemporary lighting, furniture, tabletop and barware ranges and accessories have been “put out there” to wide acclaim.

Based in Portobello, London, the Tom Dixon brand launches new collections of lighting and furniture biannually in Milan and London. “What’s interesting about the modern world [is that] you don’t need to attract large amounts of people globally to be a successful designer,” Tom says. “You can be quite focused and do specific work and people will come to you if they’re attracted to it.”