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Slab Desk
Tom Dixon
Select a Slab Desk
Size 1 - Natural Oak: $1,150
Size 1 - Fumed Oak: $1,950
Size 2 - Natural Oak: $1,950
Size 2 - Fumed Oak: $2,250
Size 3 - Natural Oak: $1,950
Size 3 - Fumed Oak: $3,550
Size 4 - Natural Oak: $4,550
Size 4 - Fumed Oak: $4,550
Size 5 - Natural Oak: $3,850
Size 5 - Fumed Oak: $5,150
Size 6 - Natural Oak: $5,850
Size 6 - Fumed Oak: $6,950
$1,150 - $6,950
+ Cart

Tom Dixon reaches way back into England's past for a versatile contemporary work station based on a Victorian school desk. With softly rounded edges and sleeker proportions, Tom carries the idea through even to the traditional inkwell rethought as a cable management hole and a handy groove for pens and pencils. Slab's proportions also suit the limited space of a home office or placement in a hotel room—and it also makes for a wonderfully modern, non-frilly makeup table.

  • Size 1: 29.5" h x 47.25" w x 23.5" d (75x120x60cm)
  • Size 2: 29.5" h x 63" w x 31.5" d (75x160x80cm)
  • Size 3: 29.5" h x 94.5" w x 31.5" d (75x240x80cm)
  • Size 4: 29.5" h x 94.5" w x 63" d (75x240x160cm)
  • Size 5: 29.5" h x 118" w x 63" d (75x300x160cm)
  • Size 6: 29.5" h x 126" w x 63" d (75x320x160cm)
  • Cable management hole: 2.25" dia (6cm)
  • Also available made to order in solid birch.
  • Oak
  • Branded box (ships flat-packed)


“If there are rules to design, I don’t know what they are,” says self-taught British designer Tom Dixon. “I just have ideas and I want to see what happens if I put them out there.” Tom’s errant first stab at creativity was playing bass in a 1980s disco group. Then a stint honing his welding skills in a auto body repair shop eventually led to his design breakthrough for Cappellini with the iconic S Chair. With products in more than 60 countries today, his contemporary lighting, furniture, tabletop and barware ranges and accessories have been “put out there” to wide acclaim.

Based in Portobello, London, the Tom Dixon brand launches new collections of lighting and furniture biannually in Milan and London. “What’s interesting about the modern world [is that] you don’t need to attract large amounts of people globally to be a successful designer,” Tom says. “You can be quite focused and do specific work and people will come to you if they’re attracted to it.”